SDG says farewell to the National Catholic Register
I have, as I suppose most anyone would, complex, mixed feelings about leaving an institution that’s been such a big part of my life for so long a time, but I have no regrets regarding my decisions nor doubts about how God is leading me.
The Tragedy of Macbeth (2021)
Fog and mist, translucent pavilion sidewalls, blowing curtains, dark water, shadows, reflections: the film is full of motifs evoking the murkiness in which Macbeth’s last days play out.
King Richard (2021)
As rousing sports films and inspirational biopics go, while King Richard is far from a pitiless, warts-and-all inquiry, it has a particular kind of truthfulness, analogous to the truthfulness of a family scrapbook or stories recounted at family reunions.
Dune: Part One (2021)
Watching Dune drove home to me the extent to which no one in 2021 can really go into an adaptation of Dune completely cold.
Marvel’s Eternal problem: The Man, the Powers that Be, and God
Incarnations of The Man vary from one MCU movie to another in terms of how sympathetic or compromised he is. Always, though, The Man has damaging secrets, misrepresents his true intentions, and can’t be trusted, at least not completely.
The sacred and the profane: Religious themes in vampire fiction
Almost from the beginning, vampire fiction has been a battleground between the powers of heaven and hell.
How do you make a documentary about purgatory? Not like this.
That our hatred should burden souls in the process of purification makes sense, but that our grief should burden them seems baffling and cruel — and it’s not a passing idea tossed off in one line.
Midnight Mass is drenched in blood and Catholicism, but there’s one thing missing
Midnight Mass isn’t the first vampire story to blend vampirism as a metaphor for addiction with literal substance abuse. It is, however, probably the only paranormal horror story to focus so intently on the role of religion in recovery.
A deep cut: The Green Knight
After the library of books that is the Bible, no literary corpus means more to me than Arthuriana, and no Arthurian work means more to me than Sir Gawain and the Green Knight.
Interview: The Chosen producer Derral Eves
Part of the success story behind writer-director Dallas Jenkins’ popular life-of-Jesus TV series is the remarkable crowdfunding approach spearheaded by viral marketing strategist Derral Eves.
Recent
- Wildcat lacks O’Connor’s oddness, but brims with passion
- Watch: The Song of Bernadette and Lourdes – An Arts & Faith Top 100 discussion with Kenneth R. Morefield
- The face of God in Cabrini
- Cabrini celebrates human dignity and solidarity; the saint remains an enigma
- Dune: Part Two exceeds expectations in every way — except humanity
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