A Quiet Place REVIEW

A Quiet Place (2018)

While A Quiet Place is a terrific film just the way it is, I can’t help wishing there were more families like this in other kinds of movies.

Ready Player One REVIEW

Ready Player One (2018)

The sell for Steven Spielberg’s Ready Player One is a little like the sell for Jurassic Park, except instead of dinosaur shock and awe, it’s pop-culture nostalgia shock and awe.

The Passion of Joan of Arc REVIEW

The Passion of Joan of Arc (1928)

The film is more than a dramatization, more than a biopic, more than a documentary: It is a spiritual portrait, almost a mystical portrait, of a Christ-like soul sharing in the sufferings of Christ.

Interview: Interview: <em>Paul, Apostle of Christ</em> Writer&#8211;Director Andrew Hyatt ARTICLE

Interview: Interview: Paul, Apostle of Christ Writer–Director Andrew Hyatt

The Full of Grace filmmaker talks about the challenges of bringing Scripture to life and the problems with many faith-based films.

Paul, Apostle of Christ REVIEW

Paul, Apostle of Christ (2018)

It’s not the unmade epic about the life of Paul of Tarsus many would like to see, but what it is is worthwhile in its own right.

Tomb Raider REVIEW

Tomb Raider (2018)

Jolie’s Lara was perhaps having too much fun for much sense of urgency, but Vikander’s Lara isn’t really having fun at all, which makes it hard for the audience to have much fun either.

A Wrinkle in Time REVIEW

A Wrinkle in Time (2018)

“If it’s bad art,” Madeleine L’Engle once wrote, “it’s bad religion, no matter how pious the subject.”

Best films of 2017: More lists! POST

Best films of 2017: More lists!

It’s hard to pick clear favorites from the latest roundup of the last year’s best films according to my circle of Christian friends and peers.

Phantom Thread [video] POST

Phantom Thread [video] (2017)

There is a certain fascination in how fascinated Paul Thomas Anderson and Daniel Day-Lewis are in material that is not fascinating.

The Shape of Water [video] POST

The Shape of Water [video] (2017)

Not the year’s better film starring Sally Hawkins as a handicapped dreamer with an inarticulate, seemingly almost subhuman lover.