Nearly 15 years ago the British futurist Ian Pearson predicted that by 2010 the world’s highest-paid celebrity would be an artificial “synthespian.” That didn’t pan out, but now journalists and PR people are trying to hype A.I. entities as filmmakers behind the camera.
The tipping point has been reached where I now wish that even the original Ice Age had never been made in the first place. Yes, even if it means no Scratt ever.
You know his name. David Webb. You did know that was his name, right?
The new Ghostbusters is perhaps more important than good, which isn’t a great place to be.
We had 20 years to prepare. I would have liked more time.
“Blake Lively versus shark” is definitely one of the better pitches of this summer.
I can’t imagine anyone but Dwayne Johnson making this movie work.
Whit Stillman and Jane Austen! I couldn’t limit myself to 60 seconds on this one.
Lewis Carrol is now right side up in his grave, having turned over twice.
At last, a Marvel Cinematic Universe movie that doesn’t come down to destroying a large urban area while saving the city, planet, or universe.
I doubt Gibson is the right filmmaker for the job. First, though, let’s talk about how right Gibson was for The Passion of the Christ.
Local to the Washington metropolitan area? This Friday, May 13th, I’ll be at the FORUM Arlington talking about cinema and Catholic faith — at least, if the title of my talk, “A Ray of God: Movies and Catholic Teaching” is any indication.
A reader writes: “‘The elephants created the jungle’ is not ‘semi-religious’ as you say. It is, in fact, blasphemous. You say such ideas are not ‘often found in a Hollywood family film.’ I disagree. Blasphemy is typical in most Hollywood films.”
There are many things I love about The Young Messiah, as my review elaborates, but the way it depicts Jesus’ consciousness at the age of seven is one of my favorite things about it.
This year my circle of Christian cinephiles converged on the year’s best films more closely than usual.
According to Paul Valéry, art is “never finished, only abandoned.” Maybe so, but this is the first Pixar movie that really glaringly illustrates the point.
“Reel Faith” returns to NET TV tonight — with a new feather in our caps: We are now the proud winners of a 2015 Gabriel Award, bestowed by the Catholic Academy of Communication Professionals, the U.S. affiliate of SIGNIS, the World Catholic Association for Communication.
Every serious Christian movie buff should own a copy of Peter Dans’ Christians in the Movies: A Century of Saints and Sinners. First published in 2009, Christians in the Movies was originally available only in an expensive hardcover edition priced as a library reference work; since then it’s been reprinted in an affordable paperback edition.
Recently I had the opportunity to field 18 questions from Sean Salai, SJ for a profile piece in the Jesuit magazine America. I had a lot of fun answering Mr. Salai’s thoughtful, sometimes surprising questions, ranging from how my faith informs my film writing to what I gave up for Lent.
I consider the chronological numbering system a travesty, since I maintain that the only right way to discover the Narnian world is the way Lewis “discovered” it.
Copyright © 2000– Steven D. Greydanus. All rights reserved.