At last, a Marvel Cinematic Universe movie that doesn’t come down to destroying a large urban area while saving the city, planet, or universe.
I doubt Gibson is the right filmmaker for the job. First, though, let’s talk about how right Gibson was for The Passion of the Christ.
Local to the Washington metropolitan area? This Friday, May 13th, I’ll be at the FORUM Arlington talking about cinema and Catholic faith — at least, if the title of my talk, “A Ray of God: Movies and Catholic Teaching” is any indication.
A reader writes: “‘The elephants created the jungle’ is not ‘semi-religious’ as you say. It is, in fact, blasphemous. You say such ideas are not ‘often found in a Hollywood family film.’ I disagree. Blasphemy is typical in most Hollywood films.”
There are many things I love about The Young Messiah, as my review elaborates, but the way it depicts Jesus’ consciousness at the age of seven is one of my favorite things about it.
This year my circle of Christian cinephiles converged on the year’s best films more closely than usual.
According to Paul Valéry, art is “never finished, only abandoned.” Maybe so, but this is the first Pixar movie that really glaringly illustrates the point.
“Reel Faith” returns to NET TV tonight — with a new feather in our caps: We are now the proud winners of a 2015 Gabriel Award, bestowed by the Catholic Academy of Communication Professionals, the U.S. affiliate of SIGNIS, the World Catholic Association for Communication.
Every serious Christian movie buff should own a copy of Peter Dans’ Christians in the Movies: A Century of Saints and Sinners. First published in 2009, Christians in the Movies was originally available only in an expensive hardcover edition priced as a library reference work; since then it’s been reprinted in an affordable paperback edition.
Recently I had the opportunity to field 18 questions from Sean Salai, SJ for a profile piece in the Jesuit magazine America. I had a lot of fun answering Mr. Salai’s thoughtful, sometimes surprising questions, ranging from how my faith informs my film writing to what I gave up for Lent.
I consider the chronological numbering system a travesty, since I maintain that the only right way to discover the Narnian world is the way Lewis “discovered” it.
Calvary is full of depraved, troubled characters, and in trying to minister to them Fr. Lavelle sometimes gets his hands dirty. Does he cross moral lines?
Looking over the eight lists below plus my own top 10, three films stand above the rest — two starring Marion Cotillard.
This is the first completely new Decent Films in ten years. It’s also the first version ever that feels more or less complete to me. Not that there aren’t still bugs and tweaks to be addressed — and not that I wasn’t thrilled about the 2010 (and 2005) iterations when they were new.
I’m not sure we get to know any characters in all of cinema quite the way we get to know Mason Evans, Jr. and his family.
Cinematically, Birdman is sort of an anti-Boyhood, at least with respect to how they each play with time. That’s not necessarily to pit them against one another, although at the end of the day my feeling is that Boyhood tells me about life, whereas Birdman only tells me about Alejandro Iñárritu.
Very few historical films so successfully deconstruct the Great Man view of history while nevertheless offering a credible portrait of a leader who was, in fact, a great man.
I want to say I love the idea for Little Orphan Hushpuppy … but I’m not convinced there’s actually an idea here.
“Will you follow me … one last time?” Well, if you promise it’s the last time.
The director of Gladiator, Kingdom of Heaven and Robin Hood takes on the story of Moses.
Copyright © 2000– Steven D. Greydanus. All rights reserved.