2018: The year in reviews ARTICLE

2018: The year in reviews

2018 was a remarkable movie year — for family films, films with religious themes, and documentaries — but it was also a year of family men who weren’t there for their families.

Spider-Man: Into the Spider-Verse [video] POST

Spider-Man: Into the Spider-Verse [video] (2018)

Chris Miller and Phil Lord, Chris Miller and Phil Lord / Do whatever Chris Miller and Phil Lord do.
Can they swing from a thread? / No they can’t, they’re Hollywood filmmakers.

Mary Poppins Returns [video] POST

Mary Poppins Returns [video] (2018)

And so does Dick Van Dyke — but if you want the return of Julie Andrews, the movie to see is Aquaman.

Ralph Breaks the Internet [video] POST

Ralph Breaks the Internet [video] (2018)

Ralph doesn’t just break the Internet — he breaks the mold for Disney/Pixar sequels.

The Rider [video] POST

The Rider [video] (2018)

The lead actor in this film told me he feels much closer to God in the South Dakota Badlands than in New York or Paris. There were more theologically explicit films this year, but none that brought God closer to me.

Widows [video] POST

Widows [video] (2018)

There’s a lot to appreciate about this film from director Steve McQueen and Viola Davis, except the moral universe the film asks us to inhabit for a couple of hours.

Fantastic Beasts: The Crimes of Grindelwald [video] POST

Fantastic Beasts: The Crimes of Grindelwald [video] (2018)

I swear I am not making any of this up. What else can I say?

The Hate U Give [video] POST

The Hate U Give [video] (2018)

If a parent having The Talk with their kids to you means the birds and the bees, you ought to watch this movie.

Aquaman REVIEW

Aquaman (2018)

Like the Star Wars prequels, like James Cameron’s Avatar, it’s a movie with tons of problems, but it also contains images that made me catch my breath — gorgeous and even numinous sights I will remember forever.

Mary Poppins Returns REVIEW

Mary Poppins Returns (2018)

Nostalgia for the original pervades virtually every aspect of the new film, from the production design of Cherry Tree Lane, where Emily Blunt’s Mary Poppins arrives to look after the next generation of Banks children, to the beat-for-beat exactness with which the sequel follows the original.

Spider-Man: Into the Spider-Verse REVIEW

Spider-Man: Into the Spider-Verse (2018)

Here, at last, is the Spidey that family audiences need and the Spidey they deserve — and that’s just two of them!