The Hunger Games’ Rue is now Ruby: Amandla Stenberg takes the spotlight in another YA dystopia that runs its race, but doesn’t diverge enough from its peers to leave anyone hungry for whatever comes next.
The superhero movie to end all superhero movies? Or every superhero movie at once?
Clearly I am not a vampire. As you can see here, I’ve changed quite a bit in the last six years … not necessarily in my opinion of this franchise.
I dared to hope this one would be more than merely good. I was afraid it would be less than good.
No infinity. No war. (Almost.) Why can’t more Marvel movies be like this?
A messy, thought-provoking film about motherhood from the makers of Juno and Young Adult? Go figure.
The year’s second-best inspirational documentary about an iconic leader with an ability to connect with people as individuals is still pretty good.
It’s funny to think of people scratching their heads when this “quiet” film is justly nominated for sound editing and sound mixing Oscars.
Dwayne Johnson and giant animals. How much more do you need? Well, since you asked … maybe a little?
It’s hard to pick clear favorites from the latest roundup of the last year’s best films according to my circle of Christian friends and peers.
There is a certain fascination in how fascinated Paul Thomas Anderson and Daniel Day-Lewis are in material that is not fascinating.
Not the year’s better film starring Sally Hawkins as a handicapped dreamer with an inarticulate, seemingly almost subhuman lover.
The more firmly rooted in a sense of time and place a film is, the more revelatory it often is of the present.
Last week controversy erupted over my “Reel Faith” video review of the Best Picture–nominated movie Call Me By Your Name, a gay-themed coming-of-age drama about a same-sex relationship between characters played by Timothée Chalamet and Armie Hammer.
Indeed, it would be impossible to imagine Tolkien — a brilliant worldbuilder and a famously purist curmudgeon who disliked Lewis’s own Narnia stories, a sentiment contrasting greatly with Lewis’ enormous esteem for Tolkien’s Middle-earth — being anything but appalled by Disney’s silly dwarfs, with their slapstick humor, nursery-moniker names, and singsong musical numbers.
I’m pleased to note that my three top films of 2016 achieved a striking consensus in this group of cinephiles.
“Some people can’t get over something major that’s happened to them at all,” says filmmaker Kenneth Lonergan says. “Why can’t they have a movie too?”
One of the year’s most critically acclaimed films, Moonlight isn’t easy to watch, but is it worth it? I think it is.
An important story you probably don’t know about, starring Taraji P. Henson, Octavia Spencer and Janelle Monáe as NASA “computers” (really!) during the 1960s space race, when NASA’s Langley Research Center was still segregated.
Martin Scorsese’s Silence is simply one of the year’s most difficult and necessary films.
Copyright © 2000– Steven D. Greydanus. All rights reserved.