Tags :: Humans Are the Real Monsters

Godzilla: King of the Monsters REVIEW

Godzilla: King of the Monsters (2019)

It’s the classic movie monster’s dilemma: You either die a villain or live long enough to see yourself become the hero.

How to Train Your Dragon: The Hidden World REVIEW

How to Train Your Dragon: The Hidden World (2019)

The two sequels greatly expand the world and the mythology of the original Dragon. Yet our hero’s personal self-development was pretty much complete at the start of Dragon 2.

Hotel Transylvania 3: Summer Vacation [video] POST

Hotel Transylvania 3: Summer Vacation [video] (2018)

Clearly I am not a vampire. As you can see here, I’ve changed quite a bit in the last six years … not necessarily in my opinion of this franchise.

Hotel Transylvania 3: Summer Vacation REVIEW

Hotel Transylvania 3: Summer Vacation (2018)

I’m not thrilled about the lack of worthy romantic leading men in recent Hollywood animation, but I prefer the theme in Frozen, about needing to get to know someone before deciding to get married, to this series’ magical, inexorable “Zing” moment.

The Boxtrolls REVIEW

The Boxtrolls (2014)

The Boxtrolls is so defiantly weird and bleak, so committed to the bitter end to its grotesque aesthetic and chilly story, that even as the film crashes and burns you can’t help being moved by the hardworking stop-motion animators’ devotion to their craft.

Hotel Transylvania [video] POST

Hotel Transylvania [video]

Even monsters need a vacation. I would like to think they’re more discerning than this.

POST

Spotlight: Spirit: Stallion of the Cimarron

This week, coinciding with the theatrical release of Shrek Forever After, a pair of DreamWorks Animation productions get budget one-disc DVD rereleases (under $10). Despite the explicit marketing tie-in (“From the studio that brought you Shrek”), both films are traditional hand-drawn cel animation with nothing to connect them to Shrek in look or in spirit.

Avatar REVIEW

Avatar (2009)

James Cameron’s Avatar is a virtual apotheosis of Hollywood mythopoeia. It is the whole worldview and memory of contemporary Hollywood, given shape in a narrative and pictoral form that is stunning in its finality and grandeur. It is like everything and there is nothing like it.

REVIEW

Monsters vs. Aliens (2009)

As a tale of female empowerment and male comeuppance, Monsters vs. Aliens might have been provocative, like, 50 years ago. Today, nothing seems more subversive — and unlikely — than a family film with a heroic leading man who’s the equal of the leading lady — one boys can look up to without having to learn a lesson about male weakness. Now that’s a movie I’d like to see.

REVIEW

Happy Feet (2006)

No, it wouldn’t be entirely accurate to call the CGI cartoon Happy Feet an effort to claim penguins for the other side of the culture wars. But it wouldn’t be wholly wrong either.