Charade (1963)

A- SDG Original source: National Catholic Register

Often described as "the best Hitchcock movie Hitchcock never made," Charade stars Cary Grant and Audrey Hepburn in a sparkling thriller with overtones of screwball romantic comedy — or is it the other way around?

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1963, Columbia. Directed by Stanley Donen. Cary Grant, Audrey Hepburn, Walter Matthau, James Coburn, George Kennedy.

Artistic/Entertainment Value

Moral/Spiritual Value


Age Appropriateness

Teens & Up

MPAA Rating


Caveat Spectator

Some menace and violence; recurring references to divorce.

Directed by Stanley Donen, Charade’s blend of genres allows it to have its cake and eat it too. The thrilleresque double-crosses and reversals pull the rug out from under the initially naive Hepburn, making her deeply skeptical and suspicious of everyone and everything; yet the element of romantic comedy calls for her to learn to trust and love Grant despite the web of uncertainty that surrounds them both.

On the surface Charade seems cynical and morally ambiguous, as we meet a heroine who talks of divorcing her husband and a hero who seems to be divorced, though nothing is certain where he’s concerned. Ultimately, though, the film reveals its reassuringly principled intentions.

Grant and Hepburn have considerable charisma and chemistry, and Walter Matthau, James Coburn, and George Kennedy enliven the proceedings in strong supporting roles. Terrific action sequences include a sprawling fight scene that ends on a hotel roof and a riveting climactic showdown. The film’s real climax, though, is the romantic final scene.

Comedy, Romance, Screwball Comedy, Thriller



Sabrina (1954)

The prologue, with its storybook-like, slightly arch voiceover narration finely read by Audrey Hepburn, suggests a charming fairy tale with a satiric subtext. And, indeed, Sabrina, Billy Wilder’s delightful romantic comedy starring Hepburn, Humphrey Bogart, and William Holden, is a sort of Cinderella story, with a chauffeur’s daughter who is transformed into the belle of the ball and dances with the prince — except that the "prince" is, if not a beast, at least a shallow cad, while the real love interest is almost more a frog than a prince.

Roman Holiday REVIEW

Roman Holiday (1953)

Audrey Hepburn is utterly beguiling in her star-making role opposite Gregory Peck in Roman Holiday, a delightful romantic comedy about a poised young princess of an unspecified European country who spends a magical day with an American reporter (Gregory Peck) in the Eternal City, playing hooky from her official duties.