The Boxtrolls is so defiantly weird and bleak, so committed to the bitter end to its grotesque aesthetic and chilly story, that even as the film crashes and burns you can’t help being moved by the hardworking stop-motion animators’ devotion to their craft.
The latest Hollywood take on the most successful movie monster of all time is a huge hit with audiences and critics…but I’m not feeling the love.
Is it “okay to be okay” if you’re Pixar? Monsters University: : my “Reel Faith” 60-second review.
Monsters University, from first-time director Dan Scanlon, is a charming, well-crafted trifle — at least until the subversive last act, when it sets its sights a bit higher.
More insightful analysis on patterns at Pixar from Peter T. Chattaway…
As a tale of female empowerment and male comeuppance, Monsters vs. Aliens might have been provocative, like, 50 years ago. Today, nothing seems more subversive — and unlikely — than a family film with a heroic leading man who’s the equal of the leading lady — one boys can look up to without having to learn a lesson about male weakness. Now that’s a movie I’d like to see.
In a way, Monster House is a bracingly icy breath of fresh air, a tween-oriented family film that is unabashedly out to frighten.
The world of Monsters, Inc. is a more artificial and contrived affair than the Toy Story world, and something of the figure of the Monster in myth and fairy tale and imagination has been lost. Yet there’s also a slyly satiric point: Childhood fears aren’t what they used to be.
Copyright © 2000– Steven D. Greydanus. All rights reserved.