Father Robert Barron is one of the Church’s best commentators on popular culture today, so I’ve been waiting for his take on Darren Aronofsky’s Noah. He doesn’t disappoint.
This has been a crazy week! I was interviewed about Noah for Vatican Radio, the NBC News website, EWTN News Nightly, Kresta in the Afternoon and The World Over.
“Let me tell you a story,” Russell Crowe’s Noah says to his family in a moment of great crisis and emotion. “The first story my father told me, and the first story I told each of you.” What he recounts are the events of Genesis 1, the creation of the world; and Aronofsky relates them both verbally and visually in a way that bespeaks a confidence in the power of this story to speak to us today: a story still worth telling and retelling.
The punning headlines write themselves: “Noah Awash in Flood of Controversy.” “Deluge of Criticism Inundates Filmmakers.” In the weeks preceding the release of Noah, controversy has swirled around the film — and will no doubt continue to do so in the weeks ahead.
The first major big-studio Bible film in decades is a dark, divisive, personal film from the director of Pi, The Fountain and Black Swan.
Darren Aronofsky’s Noah pays its source material a rare compliment: It takes Genesis seriously as a landmark of world literature and ancient moral reflection, and a worthy source of artistic inspiration in our day.
In a way, the figure of Noah stands over filmmaker Darren Aronofsky’s whole career.
So what’s the deal with the Noah movie? Does it replace the message of the Bible story with a message created by Hollywood? Is Russell Crowe’s Noah an environmentalist wacko? Is God a monster out to eradicate humanity entirely? Get a grip, people.
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