Silent star Douglas Fairbanks, Sr. is still the silver screen’s ultimate swashbuckling Zorro. Tyrone Powers ideally embodies the sly subterfuge of a man of iron turning on a dime from foppish languor to finely double-edged banter to masked derring-do. But Guy Williams, hero of Walt Disney’s popular 1950s television series, is the most beloved Zorro of all time.
More precisely, it’s a “funny family action film” in the Fantastic Four mold — that is, a movie whose key qualification as kid entertainment is that it isn’t good enough for grown‑ups. Too bad. Our kids deserve better. For that matter, so do we.
Thrilling, heartbreaking, witty, romantic, and largely family-friendly, The Mask of Zorro is possibly the best swashbuckler of its decade, a film at once true to the spirit of the classic period actioners and also thoroughly of its own time.
Don Q Son of Zorro, named one of the year’s ten best films by The New York Times, actually outdoes its predecessor, with a stronger and more sophisticated plot, better pacing, more interesting and complex characterizations, grander production values and set design, and more consistent action.
You haven’t seen Zorro until you’ve seen Douglas Fairbanks Sr. as Zorro in the 1920 silent swashbuckling classic.
Powers can’t match the original Zorro’s astonishing acrobatics and doesn’t try — but the rousing climactic duel against Basil Rathbone’s villainous Captain Esteban, one of the best swordfights ever filmed at that time, almost makes up for it.
Copyright © 2000– Steven D. Greydanus. All rights reserved.