Tags :: Cultures of Life and Death

<em>AKA Jane Roe</em>: Unraveling the complicated life of Norma McCorvey ARTICLE

AKA Jane Roe: Unraveling the complicated life of Norma McCorvey (2020)

The FX documentary asks hard questions of both sides of the abortion debate — but only one side gets thoughtful answers

One Child Nation REVIEW

One Child Nation (2019)

Many movies have made me cry. Very few have been as difficult or impossible even to write about without crying as Nanfu Wang and Jialing Zhang’s brilliant, devastating Sundance Grand Jury winner One Child Nation.

Unplanned REVIEW

Unplanned (2019)

“My story isn’t a neat and tidy one,” Abby tells us at the start, but this telling is still pretty neat and tidy. Perhaps the real story was messier.

Gosnell: The Trial of America&rsquo;s Biggest Serial Killer REVIEW

Gosnell: The Trial of America’s Biggest Serial Killer (2018)

Gosnell is subtitled The Trial of America’s Biggest Serial Killer (echoing the similar subtitle of the book by producers Phelim McAleer and Ann McElhinney) — but notorious abortion doctor Kermit Gosnell isn’t the only one on trial here.

First Reformed REVIEW

First Reformed (2018)

Schrader makes greater use than ever before of what he calls the “transcendental toolkit” — but it’s still very much a film from the writer of Taxi Driver. If Toller partly evokes Bresson’s wan, saintly curé, in time we see that he’s also part Travis Bickle, which can be as difficult to watch as it sounds.

The seductive distortions of <em>Call Me By Your Name</em> ARTICLE

The seductive distortions of Call Me By Your Name (2017)

If you didn’t know that the Best Picture–nominated Call Me By Your Name is an uncritically rapturous celebration of a same-sex relationship between an inexperienced youth played by Timothée Chalamet and an experienced man played by Armie Hammer, you might almost guess it from the opening titles, an arty overture for the film that follows.

&#8220;A person&#8217;s a person&#8221;: Animation and the cultures of life and death ARTICLE

“A person’s a person”: Animation and the cultures of life and death

Clearly Horton can be called a “pro-life” hero in a broad sense, and even in a sense that resonates in some striking ways with the pro-life cause. And his isn’t the only animated adventure with pro-life resonances.

Abortion, the sanctity of life, and movies ARTICLE

Abortion, the sanctity of life, and movies

43 years after Roe vs. Wade, Americans remain about as deeply conflicted over abortion as ever… The nation’s divided conscience on this subject is reflected on the screen.

&#8220;Brother Ass&#8221; or &#8220;stupid apes&#8221;? Transhumanism, the <em>Imago Dei</em> and Hollywood ARTICLE

“Brother Ass” or “stupid apes”? Transhumanism, the Imago Dei and Hollywood

As technology progresses and the culture and the Gospel continue to draw further apart, transhumanist aspirations flourish, both as a worldview and in the world of popular culture.

&#8220;We are not things&#8221;: <em>Mad Max: Fury Road</em> and commodifying human life ARTICLE

“We are not things”: Mad Max: Fury Road and commodifying human life

In another movie, a line like “We are not things” could be a platitude, but in the context of vividly imagined atrocities with unnerving echoes of recent headlines, this simple affirmation is fraught with topical power that has only grown in the months since the film’s theatrical debut.

Computer dating: Artificial intelligence and robot sex in <em>Ex&nbsp;Machina</em> and <em>Her</em> ARTICLE

Computer dating: Artificial intelligence and robot sex in Ex Machina and Her

Alex Garland’s Ex Machina is the latest in a string of recent science-fiction films exploring questions around artificial intelligence, transhumanism and the role of technology in our lives.

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The Hunger Games: Mockingjay – Part 1 [video] (2014)

Katniss Everdeen may be the Mockingjay now, but Jennifer Lawrence is still the girl on fire.

The Hunger Games: Mockingjay &#8211; Part 1 REVIEW

The Hunger Games: Mockingjay – Part 1 (2014)

Propaganda and symbolism have always been a crucial weapon in the arsenal of any campaign, but their value increases exponentially in the information age. This isn’t a particularly radical idea, although this may be the first time it’s trickled down into a blockbuster franchise. Can you imagine Luke Skywalker making subversive videos calling out Darth Vader and coining popular slogans about fighting the Empire?

Dystopia, <i>The Hunger Games</i> and the critique of the culture of death ARTICLE

Dystopia, The Hunger Games and the critique of the culture of death

The word utopia was coined by St. Thomas More in his book of that name — an important and enigmatic work of fiction and political philosophy generally understood as some sort of satire.

ARTICLE

Two Very Different Responses to Parenthood: Chef and Obvious Child

Among this summer’s successful indies were a pair of R-rated comedies — each from a filmmaker serving as writer, director and star — depicting two very different responses to the formidable responsibilities of parenthood.

REVIEW

October Baby (2011)

October Baby is at its most thoughtful contemplating Hannah’s unresolved feelings about her biological mother and the tragic way that her life began.

REVIEW

The Hunger Games (2012)

Suzanne Collins says she got the idea for The Hunger Games while sleepily flicking channels between some reality-show game and footage of the invasion of Iraq until the images began to blur in her mind. What’s bracing about Gary Ross’ film of the first book in Collins’ wildly popular young-adult trilogy is that the topicality of the story’s origins still comes across. When was the last Hollywood science-fiction action blockbuster that felt like actual ideas about the world we live in were at stake?

REVIEW

Sanctum (2011)

The shocking thing about Sanctum’s fictional survival story, relocated to Papua New Guinea, is not that it kills off one expedition member after another, often quite brutally. The shocking thing is how callously it treats their lives. More than one team member is euthanized by his fellows, submerged and drowned after sustaining catastrophic injuries.

REVIEW

The Switch (2010)

The Switch is about an attractive woman in her early 40’s with a history of unfortunate relationships and a gnawing concern that she’s been hitting the snooze button on her biological alarm clock for too long. I can’t imagine why they cast Jennifer Aniston.

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What is Peter Bart Smoking?

The celebratory media frenzy over the 50th anniversary of The Pill has reached even the pages of Variety, where past editor and current vice president and editorial director Peter Bart has written a strange essay called “‘Sex’ and the summer franchise” (subscription required) that somehow contrives to link a blip in summer movie patterns to five decades of contraception.

REVIEW

District 9 (2009)

C. S. Lewis’s bleak prediction about human mistreatment of extraterrestrial creatures was framed in terms of human spacefarers encountering alien life on distant worlds, but the gist of his thesis is eminently applicable to the scenario proposed in District 9, a caustic and gory but sharply made sci-fi fable with a pungent South African flavor.

REVIEW

Moon (2009)

There’s an ambitious modesty to Duncan Jones’s debut film Moon, a smart, existential science-fiction drama with one onscreen actor that runs 97 minutes and goes nowhere more exotic than our planet’s natural satellite.

REVIEW

4 Months, 3 Weeks and 2 Days (2007)

4 Months, like previous Romanian export The Death of Mr. Lazarescu, compels us not to avert our eyes. Even though the actual events remain out of sight — apart from a single, indelible shot not unlike images seen in some types of pro-life materials — its confrontation of the unmentionable is no less devastating.

REVIEW

Juno (2007)

Yet it’s right around this point that Juno, which has been clever and insightful, unexpectedly reveals hidden layers of complexity and depth.

ARTICLE

Bella: Metanoia Films’ award-winning first film about wounded hearts, family and a crisis pregnancy celebrates love, life and understanding

For Verástegui — a former boy-band and telenovela heartthrob known to Latino fans as “the Mexican Brad Pitt” — the mission is simple. “Hollywood doesn’t belong to the studios,” he recently told Decent Films. “Hollywood belongs to God. And we need to take it back. And that’s what I’m trying to do, by example first, trying my best every day to be involved in projects that will inspire people to use their talents to do something positive for the world.”

REVIEW

Bella (2006)

In the end, Bella has something to challenge everyone, pro-life or otherwise. For pro-lifers, the inspiring ending represents a call to love of neighbor. It isn’t enough just to oppose abortion: We are called to love those in need with the love of Christ, potentially at a cost to ourselves. For those who favor abortion, the ending represents a challenge to recognize that life is a beautiful and precious gift even in far from ideal circumstances, and the choice to embrace life, even when it involves great sacrifice, is also beautiful.

Brokeback Mountain REVIEW

Brokeback Mountain (2005)

In the end, in its easygoing, nonpolemical way, Brokeback Mountain is nothing less than an indictment not just of heterosexism but of masculinity itself.

REVIEW

Million Dollar Baby (2004)

By the film’s end, Frankie is faced with a choice that the priest says could lead to his damnation. The film makes the wrong choice seem right. But it leaves it an open question, I think, whether making that choice leads to redemption or damnation. Million Dollar Baby suggests, perhaps, that the right and most loving thing to do for someone else may entail one’s own damnation. This is very far from good way of looking at things. But it suggests a film that is less complacent, more thoughtful, less like smug propaganda than some of its detractors allege.

ARTICLE

The Kinsey controversy

The life and work of Dr. Alfred C. Kinsey, the Indiana University entomologist turned pioneering sexologist, has provoked accounts and interpretations as divergent, and as bitterly contested, as John Kerry’s Vietnam service in the last election. And, while it’s true that Kinsey’s work warrants such scrutiny, it’s also true that this only makes the task of weeding through the arguments more daunting.

REVIEW

The Cell (2000)

The Cell gives imaginative and visual shape to as it were the very soul of misogynism, perversion, depravity, sadism, and the supreme nihilism and egotism of the damned. The film also has some images of beauty, peace, and serenity; even some Christian symbolism — but all this is quickly overwhelmed, even betrayed and subverted, so that the dark themes dominate the film.

REVIEW

Pleasantville (1998)

The film’s central conceit is that the process of colorization is spread through acts of exploration or self-discovery by which people step outside their customary ways into a new world. In the black-and-white world of the 1950s TV sitcom, one common means of transformation is sexual activity, which didn’t exist in "Pleasantville" until the teenagers (Jennifer in particular) introduced it. When Jennifer gently explains the facts of life to her sitcom mother (Joan Allen), the latter is certain that her prosaic husband (William H. Macy) could never be induced to engage in such activity; so Jennifer proceeds to coach her mother (offscreen) on how to commit self-abuse. The mother then proceeds to do so, with such explosive results that by a kind of sympathetic magic the tree in the front yard bursts into flame.