Articles

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BBC’s amiable, nostalgic ‘Father Brown’ doesn’t keep faith with Chesterton

“I like detective stories,” G. K. Chesterton once wrote; “I read them, I write them; but I do not believe them.” Chesterton put into his beloved Father Brown stories a great deal that he did not believe — exotic crimes, improbable methods, wiredrawn detective work — but also a great deal that he did believe, much of it on the lips of his moon-faced clerical sleuth.

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Superhero movies and Catholic faith

Less than two months ago, the British Catholic writer Stratford Caldecott died after a lengthy battle with cancer. In the weeks prior to his death, his name became improbably entangled in a viral Twitter storm that made international news in connection with the superhero movie Captain America: The Winter Soldier, now available on home video.

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Hollywood After September 11, 2001

The shadow of September 11, 2001 over Hollywood still lingers.

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A haunting film about the “martyr of Auschwitz”

Nearly two decades before his Oscar-winning role as a Jew-hunting Nazi in Quentin Tarantino’s lurid WWII fantasy Inglourious Basterds, Christoph Waltz played an Auschwitz survivor whose escape is linked to the death of one of Auschwitz’s most celebrated victims, St. Maximilian Kolbe.

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Auf Wiedersehen! Stay tuned!

It was a busy summer season; it wasn’t a terribly good summer season — above all for family audiences, who were left almost completely out in the cold. Still, it was generally an improvement on last summer, particularly for popcorn spectacle and action.

<em>Life for Life</em>: Maximilian Kolbe, martyr of Auschwitz ARTICLE

Life for Life: Maximilian Kolbe, martyr of Auschwitz (1991)

Two great mysteries hover over the cardinal moment in St. Maximilian Kolbe’s life, a quiet exchange of words with the deputy camp commander at Auschwitz-Birkenau heard by few and lasting probably less than a minute.

Robin Williams RIP ARTICLE

Robin Williams RIP

In the flood of commentary and sorrow surrounding the death of Robin Williams, apparently by suicide, so many are struggling over what to say about a man who seemed never to be at a loss for words.

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Interview: Filmmaker Scott Derrickson on Horror, Faith, Chesterton and Deliver Us From Evil

Scott Derrickson is a very nice guy who makes movies about things that aren’t very nice.

The trouble with angels: Heavenly messengers according to Hollywood ARTICLE

The trouble with angels: Heavenly messengers according to Hollywood

The popular eschatological confusion that we “become angels” when we die may be a headache for catechists, but only a curmudgeon would object to a Hollywood fable taking this sort of creative license. Still, there’s no reason for all movie angels to be as angelically incorrect as Clarence.

<i>Maleficent</i>, Rape and Sympathy for the Devil ARTICLE

Maleficent, Rape and Sympathy for the Devil

A story like this demands to be seen through the lens of what biblical scholars call “redaction criticism,” which basically means “What was changed, added or deleted in this retelling of the story, and what do those changes tell us about the storyteller’s intentions and outlook?”

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So, how gay is How to Train Your Dragon?

How to Train Your Dragon’s Gobber the Belch Comes Out As Gay,” headlines screamed in the weeks prior to the release of DreamWorks’ animated sequel How to Train Your Dragon 2.

Our Lady of Fatima at the Movies ARTICLE

Our Lady of Fatima at the Movies

I have never seen a bad movie about Fátima. Three stand out to me: The Miracle of Our Lady of Fatima (1952) is the best known; Apparitions at Fátima (1992) is the most authentic; and The 13th Day (2009) is the most artful — and my favorite of the three.

Top 10 Superhero Movies ARTICLE

Top 10 Superhero Movies

Why do we love costumed crusaders? Larger-than-life heroes fill a cultural niche occupied in the 1950s by gunslingers, in earlier centuries by Robin Hood and King Arthur, and in antiquity by the likes of Hercules, Perseus, and Odysseus.

<i>Noah</i>: A theological reflection ARTICLE

Noah: A theological reflection

“Let me tell you a story,” Russell Crowe’s Noah says to his family in a moment of great crisis and emotion. “The first story my father told me, and the first story I told each of you.” What he recounts are the events of Genesis 1, the creation of the world; and Aronofsky relates them both verbally and visually in a way that bespeaks a confidence in the power of this story to speak to us today: a story still worth telling and retelling.

The <i>Noah</i> controversies: questions and answers ARTICLE

The Noah controversies: questions and answers

The punning headlines write themselves: “Noah Awash in Flood of Controversy.” “Deluge of Criticism Inundates Filmmakers.” In the weeks preceding the release of Noah, controversy has swirled around the film — and will no doubt continue to do so in the weeks ahead.

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Interview: Noah Writer-Director Darren Aronofsky and Co-writer Ari Handel

In a way, the figure of Noah stands over filmmaker Darren Aronofsky’s whole career.

Everybody chill out about the <i>Noah</i> movie ARTICLE

Everybody chill out about the Noah movie

So what’s the deal with the Noah movie? Does it replace the message of the Bible story with a message created by Hollywood? Is Russell Crowe’s Noah an environmentalist wacko? Is God a monster out to eradicate humanity entirely? Get a grip, people.

So, how Christian is Disney&#8217;s <i>Frozen</i>? ARTICLE

So, how Christian is Disney’s Frozen?

I’ve been surprised at the popularity of efforts to interpret major story elements in Frozen as a Christian parable … rivaling or even surpassing C. S. Lewis’s The Lion, the Witch and the Wardrobe.

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2013: The year in reviews

2013 was a year of cinematic trauma and stress, full of harrowing, at times also exhilarating, survival stories, many on the abyss of the sea or even the void of space.

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Exorcism in the Movies

In a way, The Exorcist is a pivotal film — the indispensable link between the Catholic-inflected piety of Golden Age Hollywood and the demonic world of latter-day horror.